

ITC Avant Garde of Lubalin’s logo was later redesign by Edward Benguiat in 2007 and was introduced as simply Avant Garde. This font is one of the top classic san serif fonts, designed way back 1970 by Herb Lubalin and Tom Carnase and was design specifically for Avant Garde Magazine.

This font is design by the joint expertise of Tom Rickner and Matthew Carter in 1996. It has generous spacing that lets you read letters easily even from far view and with Verdana’s available font weights, you can surely create any design of your choice fast and easy. This font is simple and friendly looking font which is purposely design for on-screen display and legibility. This font is design by Edouard Hoffman, Max Medienger and Matthew Carter in 1957. This font has a lot of power packed features to offer your designs from the simplest up to condensed and extreme forms. It was originally introduced with the name Neue Haas Grotesk and was later renamed as Helvetica. This font is one of the oldest and one of the most used san serif fonts ever since 1950s. This font is design by Ko Sliggers in 2010. It has lots of features to offer and has great variations on small and capital caps and with beautiful numeric styles. This font is a beautiful script font with a touch of classic grotesque font styles way back in 20 th century mix with the new features bound into one to create a more attractive font. This font is design by Steve Matteson in 2009. It has old style figures that will surely look good on classic font approach and with collection of characters from Western up to Greek features. Droid Sans font family offers neutral appearance and has wide variation styles to offer. This font is a friendly looking typeface perfectly created for signs and provides optimal quality. This font is design by Alexandra Korolkova, Olga Olempeva and Vladimir Yefimov in 2010.

It has 32 styles to offer: it consist of 6 available font weights, 6 condensed styles, 6 narrow styles, 6 extra condensed styles and 2 caption styles to serve your layouts. This font is a simple and modern looking font which is perfect for wide range applications. Font pairings: 36 perfect examples 01.Looking for the best sans serif font collection for your text contents and layouts? Here is a list of the top 30 most famous sans serif fonts that you will surely love or check out for discounts on up to 85% off for selected fonts. Read on for our pick of the best font pairings.
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If you need to brush up on your typography knowledge, take a look at our typography tutorials, and you can browse a huge collection of fonts that don't cost a thing with our free fonts roundup. Again, Geometric sans serifs marry best with these. Included in this third sub-category are Bodoni, Didot, New Century Schoolbook and Walbaum. These pair with Geometric sans serifs such as Avant Garde, Avenir, Century Gothic, Eurostile, Futura and Univers.įinally, Modern serifs have an often very dramatic contrast between thick and thin for a more pronounced, stylised effect, as well as a larger x-height. Meanwhile, Transitional serifs have a stronger contrast between thick and thin strokes – examples include Bookman, Mrs. Generally speaking, Old Style serifs such as Bembo, Caslon and Garamond will combine well with Humanist sans serifs, such as Gill Sans and Lucida Grande. Of course, 'serif' and 'sans serif' are themselves broad classifications – each split into several sub-categories. For example, if you have a display face completely jam-packed with uniqueness and personality, you'll need something more neutral to do the hard work, and create a balance.

This could be as simple as adjusting the weight, the size or the colour of the same typeface – but when the typefaces vary, careful font pairing is crucial. It's important that as a designer, you establish a clear hierarchy.
